Glass mosaic tile is gorgeous, and it shows off everything
Start with the honest bit. Glass mosaic tile is beautiful in a way most tile can't touch. Light goes into it and bounces back, so a glass wall almost glows. That's the upside, and it's a big one.
The catch is the same sentence read backwards. Because light passes through glass, everything behind the tile can show through it too. The mortar, the trowel marks, an uneven wall, a smear of the wrong-colour glue: clear glass puts it all on display. Regular tile hides its sins. Glass frames them and hangs them in a gallery.
What glass tile is, and where it earns its keep
So let's define it. Glass mosaic is lots of small glass tiles, usually about an inch or smaller, stuck to a mesh backing sheet so you can set a whole patch at once. Tiling with glass tiles is almost always an accent job, not a whole-room job, and there's a good reason: a little glass is a jewel, a lot of glass is a bill.
Where it shines, literally, is anywhere it catches light and doesn't take a beating. A kitchen backsplash. A shower niche (the recessed shelf built into the wall). A feature strip running through plain tile. A wet bar. A pool, if it's pool-rated glass. Small doses, big impact. That iridescent blue wet bar in the photo is doing more work than a whole wall of plain tile ever could.

The mesh sheets are the whole trick
Here's how glass goes up fast. It comes on mesh sheets, roughly 12 inches square, with the little tiles already spaced and stuck to a backing. You butter the wall with mortar, press a whole sheet on, and dozens of tiles land at once instead of one at a time. Tiling with mosaic sheets is the reason a mosaic job isn't a month long.
The skill is in the seams. Where one sheet meets the next, the gap between the sheets has to match the gaps inside them, or you get a fat grout line every 12 inches that your eye will find every single time (mine finds them from across the room, it's a professional hazard with no known cure). Line the sheets up right and the whole wall reads as one continuous field of glass.
Use white glue behind glass, or the colour goes muddy
This is the one that separates a good glass job from a sad one. The mortar that bonds tile (thinset, basically a cement glue) comes in grey and white. Under normal tile it doesn't matter, nobody ever sees it. Under clear or light glass you see it straight through, so grey thinset turns bright glass dull and muddy. White thinset keeps the colour true. It's a small thing that changes everything, and the other guy skips it more often than you'd like.
Coverage matters double with glass too. The standard is 95% of the mortar touching the back of the tile (ANSI A108.5). On regular tile you take that number on faith. With see-through glass, every air pocket behind it shows up as a pale blotch, so you can't fake it and you can't hide it. Glass is the one tile that grades its own installation, which is a decent argument for hiring someone who's set a lot of it (the NTCA has whole guides on exactly this).
Glass on a floor: usually no, occasionally yes
People ask about tiling a mosaic floor in glass, and mostly I talk them out of it. Wall glass and floor tile are different animals. Most decorative glass is not rated to be walked on: it scratches, and wet glass underfoot is a slip risk nobody needs. A mosaic floor is a great idea, just usually in porcelain or stone penny rounds, not clear glass.
The exception is a small glass accent set into a mostly-porcelain floor, or specific floor-rated glass used sparingly. As a whole shower floor, glass is a bad bet. Save the glass for the walls where it catches the light and keeps its looks, and let a tougher tile take the footsteps. The floor never gets the compliments anyway.
The kitchen backsplash is glass's home turf
If glass mosaic has a natural home, it's the kitchen backsplash. It's up off the floor, out of harm's way, easy to wipe, and right where the light hits it. A white glass tile backsplash brightens a whole kitchen, and a glass subway tile like the grey one in the photo reads clean and modern without shouting.
One tip that saves regret: decide on grout colour before you buy. With translucent glass the grout peeks through the edges and tints the whole look, so white glass with white grout stays bright, while a dark grout outlines every tile like a comic strip. Neither is wrong, but pick it on purpose. If you want the full how-to on the wall itself, I wrote a whole guide on how to tile a backsplash.

When not to hire me for glass
I'd rather you love the result than just love the idea, so here's when glass is the wrong call. If you want a whole shower or a whole wall in clear glass mosaic on a tight budget, the labour to set it right is real and I won't pretend otherwise. One bold accent gets you most of the wow for a fraction of the work. If it's a floor that takes real traffic, pick porcelain. And if grout lines drive you up the wall, remember a mosaic is nothing but grout lines, so a bigger tile will make you a much happier person.
When you do want glass done properly, set on a flat wall with white thinset and lined up so the seams disappear, that's a job I genuinely enjoy. That's when to give us a call.
